A one part pop-out block mould that requires no cuts to release the model or casting.
A one part block mould that requires cuts to release the model.
How to make a gravity pour skin mould (and support case) from a hard master and how to avoid air entrapment during the process.
A mould for a special effects facial prosthetic – nose, lip and brow.
Creating a life-like flesh colour on a silicone prosthetic.
An authentic bronze finish when cold casting.
Creating and colouring an on-skin prosthetic wound.
Using lifecasting alginate to make a silicone hand.
Making a Brush-On skin mould of a 3D model, complete with a simple support case.
H and rotomoulding out of a gravity pour skin mould
Airbrushing a lifelike look onto a silicone prosthetic
Making a silicone prosthetic appear seamless
Avoiding air entrapment when casting a solid complex shape out of polymer plaster
Creating a “marbled” resin effect in a casting using a paint brush to create the veining.
Creating a marble effect in a casting using a rolling technique to create veining
A simple lifelike prosthetic nose created with gel filled silicone
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